This piece began as a study of movement within a fixed boundary.
I was interested in how a continuous surface could shift direction,
slow down, and then rise again, all within a square format.
The process started with digital modeling, but the final form was
determined by how light moved across the carved surface. After the
CNC process, the piece was hand-sanded multiple times to soften the
edges and allow light to transition more gradually across the form.
What interests me most is not the object itself, but the way light
changes the object throughout the day. The work is never the same
from morning to evening. The form remains, but the perception shifts.
LF01 marks the moment where movement begins to take shape — not as an image, but as a condition of light.